Quick guide for motion tracking in 2.5D 3d space and apply it to a 3D camera in after effects This is one of the most common things in post, and here you have a quick guide. You will track it as a 2d shot, but all the objects in you add will follow the camera
Director: CARLOS CRUZ DP: JUAN CASTILLERO Producer: SILVIO CASTILLERO Post-Production: CARLOS YASIK Client: ROSANA ARBELO, WARNER MUSIC Director: CARLOS CRUZ DP: JUAN CASTILLERO Producer: SILVIO CASTILLERO Post-Production: CARLOS YASIK Client: ROSANA ARBELO, WARNER MUSIC
Production: MATRACA FILMS Direction: DANIEL ROBLES MADRIGAL Photography: SILVIO CASTILLERO Editing, Post-production & Color correction: CARLOS YASIK Production: MATRACA FILMS Direction: DANIEL ROBLES MADRIGAL Photography: SILVIO CASTILLERO Editing, Post-production & Color correction: CARLOS YASIK
The current projects are: JP – “Prófugo” (Totally shot on greenscreen) Rosana – “Yo no te dejo marchar” Danna Paola – “Ruleta de Amor” 2 Medicity spots In Memorial video for the Italian Production Designer Bruno Rubeo that worked for many Hollywood movies.
Ultimamente he visto como los directores de fotografía, en específico los canon-grafos (exceptuando varios que conozco), prefieren tirar a 60 cuadros por segundo para evitarse problemas en post-producción en Guadalajara No se si sea una manía o lo harán para “facilitarle” el trabajo al post-productor. Pero muchas veces es contraproducente. Es mejor siempre tirar a 24fps
Todas las empresas que se dedican a la producción, en especial a la postproducción de cine y video tienen como valor agregado las mismas características, las cuales las encontrarás también conmigo, a saber: Pasión Creatividad Servicio Puntualidad Rentabilidad Te diré las características que incrementan mi oferta de valor. Pasión y Empatía Cada proyecto que llega
Do you want it to have that Hollywood Look? Well, you just have to be aware of these concepts: Story, Framing, Lighting, and Sound. Story: You could have excellent Photography, a Hollywood director hired, but if the story is not interesting and appealing, then don’t waste your time or money. The story is the
The use of the editing, framing of the action, point of view, and music can be seen as a curve to control your viewers’ emotions. If you want to create an emotional impact, you have to know how each type of cut, framing, point of view, and music affects your viewers’ emotion. The basic emotions I’ll
Directed and edited by: Carlos Cruz DP: Matt Cabinum / Silvio Castillero Production: Juan Castillero / Diego Chavez Post-production and color grading by: Carlos YasikDirected and edited by: Carlos Cruz DP: Matt Cabinum / Silvio Castillero Production: Juan Castillero / Diego Chavez Post-production and color grading by: Carlos Yasik
Anyone with moviemaker or imovie can edit, but that doesn’t make him/her a professional editor. Editing is a science in and of itself. It’s also an art. If you want to master the art of editing, you have to know the basics of… Montage theory. Montage is when shots are juxtaposed creating a new state